Kaleidescape Blog

Deepwater Horizon Demo Scenes

June 29, 2018

Deepwater Horizon is part of a trilogy of films (including Lone Survivor and Patriots Day) that pair director Peter Berg and actor Mark Wahlberg recreating actual events for the big screen. Deepwater Horizon focuses on the events leading up to the uncontrollable blowout of the BP deep-sea oil exploration platform in 2010, which created the largest manmade disaster in US history.

The film is packed with action, and features vibrant colors that leap off the screen in 4K HDR. But the real standout star is the reference-grade Dolby Atmos soundtrack. This audio mix delivers from every square inch of your listening space, including wall-flexing bass and a massive amount of overhead information that will make viewers reach for their hardhats to avoid the falling debris. As the pull quote on the 4K Blu-ray box art says, Deepwater Horizon is “Shock-and-awe spectacle!”

The three scenes here—which aren’t bookmarked—tell a great story while showing off the film’s audio highlights. (You can use the “How to Bookmark a Scene” guide in this newsletter to bookmark these scenes yourself.)


Scene 1: “That was a bird strike!”

Chapter 3, 12:30 to 15:00

This scene leads you into the film easily—you don’t want to just jump straight to fire and explosions and mayhem, and this follows the crew as they head out to the DH. The scene begins in a lobby at the airfield, filling your listening space with background office noises, but as soon as they step out to walk toward the helicopter, the room sonically transforms into a helipad. Note the shift of helicopter blades from overhead to the upper left corner of the room as the onscreen PoV changes. While the crew is flying, the dialogue has a very “headphone” quality to it, but the room is filled with the steady whine of the engines and whump-whump of the blades. At about 14:50, the helicopter hits a bird that slams into the room high up on the wall, left of center, and then wings back through the room. It’s sudden and jarring, and a great use of audio to capture the intense moment. And I bet you’ll get more than one person to jump if you play it near reference volume.


Scene 2: “Biggest damn kick I ever seen!”

Chapter 8, 51:00 to 58:10

This scene just builds and builds in intensity and destruction, setting the stage for the final scene. The crew starts pulling back the drill and pumping out the mud when everything goes sideways. There’s deep rumbling as the mud starts flowing back up the drill line and it explodes in a geyser that sprays mud, rock, and water all over the room. The water rushes and splashes around, a steady geyser jetting up the front wall and splashing down overhead.

In between the mayhem, notice the vibrant reds of the worker’s uniforms, especially contrasted with the mud-covered employees out on the deck. At 53:50, you pan outside and up the rig, and travel to the ocean’s floor, the rumblings and waves swirling and rocking around the room. Bass explosions are powerful and deep, and a well-calibrated system should have you feeling the effects in your seat. At 56:30, glass starts shattering all around the control room, letting you clearly pinpoint each window’s location. After the mud-covered seagulls fly around in the confined space, the film cuts back into the pumping room, and you can hear sounds surrounding every inch of the 360º space surrounding the listening position.


Scene 3: “We’ve got to get to the boats!”

Chapter 13, 1:18:42 to 1:27:40

This scene runs a bit long, but it has plenty of excitement to hold your audience’s attention. The DH is engulfed in flames, and the crew is looking for last-ditch ways to save the rig while racing to abandon. As they rush around the rig, fireballs and jets of flames burst into the room, and explosions send shrapnel ripping into the space, fully immersing the viewer in the conflagration. When power is lost, note how clean and noise-free the blacks are, with no banding or other distracting artifacts. The fire also looks especially intense in HDR, delivering ultra realistic shades of orange-red. Note all the subtle sounds of straining and groaning metal as the rig breaks apart. When Wahlberg enters the water at the scene’s finale, you get some great “submerged audio,” as water bubbles up and laps up and over the ceiling, and falling debris pelts the water around him.

Author: Kaleidescape
Posted In: Blog

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